![]() Where the plot machinations get gummed up are in various predictable subplots, from Rafe’s courtship of requisite cute-girl-in-nerd-glasses Jeanne (Isabela Moner, “100 Things to Do Before High School”) to Rafe and Georgia’s attempts to break up the relationship between Jules and the awful Bear ( Rob Riggle).Īlso Read: 'Gilmore Girls' Fans Treated to Coffee From Luke Himself ![]() The pranks themselves, which range from covering every surface with Post-It notes to putting fabric dye in the sprinkler system, wind up being the film’s highlights, even if they raise questions about why this middle school has such lax security. (“Art should be locked inside a museum, where old people can enjoy it,” says the administrator.) Goaded by best friend and co-conspirator Leo (Thomas Barbusca, “Wet Hot American Summer: First Day of Camp”), Rafe uses his artistic skills to perpetrate a series of impressive pranks that set out to break each and every one of Principal Dwight’s rules. Rafe has been kicked out of several schools, and his new one is a joyless place run by martinet Principal Dwight (Andy Daly, “Review”) and his second-in-command Ida Stricker ( Retta).Īlso Read: 'Murder of Stephen King' Pulled by Author James PattersonĪfter Rafe’s drawings disrupt an assembly dedicated to the BLAAR – a standardized test that is Principal Dwight’s obsession – the school official cruelly destroys Rafe’s sketchbook. The results are strained and mawkish the film’s pre-teen audience deserves better.īudding artist Rafe (Griffin Gluck, “Red Band Society”) spends more time creating alien worlds in his sketchbook than interacting with others, much to the consternation of his single sous-chef mom Jules ( Lauren Graham) and younger sister Georgia (Alexa Nisenson). The film’s attempts at comedy and sentimentality are equally unsuccessful, resulting in a movie that feels more like a third-rate “Saved by the Bell” knock-off than a legitimate teen flick.īoth the younger cast members and their more seasoned adult counterparts mostly give it their all, but the screenplay by Chris Bowman and Hubbel Palmer (“Masterminds”) and Kara Holden, based on the novels by airport-king James Patterson and Chris Tebbetts, throws in more incidents and tones than director Steve Carr (“Paul Blart: Mall Cop”) can handle. Like an overbooked, overambitious student, “Middle School: The Worst Years of My Life” tries to cram far more into its curriculum than it can handle.
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